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类型：动作片 意大利 1972-11-22
主演：加斯通·莫辛 芭芭拉·布薛特 马里奥·阿多夫 Gastone Moschin Barbara Bouchet Mario Adorf
导演：费尔南多·迪·莱沃
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剧情简介 《米兰九口径》是1972年的一部动作片。由费尔南多·迪·莱沃执导，加斯通·莫辛、芭芭拉·布薛特、马里奥·阿多夫等联袂主演。米兰九口径，又名Milano calibro 9、Caliber 9。Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
综合评分：
DVD电影网评分6.9，算是一部中等的电影作品，感兴趣的朋友可以看看。
影迷点评：
paradiso 说：意式警匪片中较有名的，外表莽汉的出狱男主人不可貌相颇为特别，末尾20分钟反转高能，借Luigi演的左派学者型警探与警长弗兰克沃尔夫的对立指出犯罪增长洗钱横行是源自南方贫民进城后窘境和权力层转移资产需求、警方只治标之荒谬，总之不缺角色复杂性和社会批判性，演员都往流氓外形上靠拢（就是说，不好看- -）但执导方面毫无超越类型片的野心，暴力度高却没啥艺术性比如末段血洗的镜头调度就缺乏亮点。前摇名盘Osanna的这一枚原来是巴卡洛夫第二次交响乐加电声乐队合作成果，theme依然够煽，必须指出男女主缠绵时特地播放了前作New Trolls的Concerto Grosso也就是La vittima designata里只用在男主角们相会时的音乐，不好意思我又要大笑三声了！
新·文森特九六 说：费尔南多·迪·莱沃，意大利的深作欣二，极其粗野的帮派动作片，比起同时期美国与日本的同类型电影要更加时髦和性感而缺乏圆滑的幽默元素，但也更加的愤怒，警察署里大肆抱怨和空谈阶级差异导致的犯罪滋生和执法困难，而刚出狱的边缘人则依然铤而走险只为生存与自由，谁也没有在真正找寻社会问题的出口，依然在僵化的己方阵营中落空和破灭，结尾加斯通·莫辛临死前打向情妇的那一拳，伴随着冲进屋来的伊沃·加拉尼对他荒诞的突然崇拜与欢呼，极其讽刺而落寞，这场亢奋的收尾戏一气呵成，最终定格于桌边被点燃的半截香烟，灼烧在看完电影的观众心头。
昵称 说：非常价值虚无：好人坏人罪人无辜的人都在杀来杀去中纷纷死掉。还是挺酷的。中间两个警察关于政治的讨论还挺应景，关于黑帮、关于贫富、关于学生运动、关于南北差距……一种70年代感迎面而来。以及，在片中又看到了米兰的Velasca大厦，粗野主义的代表性建筑，之前在Dino Risi的《鳏夫》里看到过了。
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