-
清空 播放记录
字幕下载
剧情简介 《轻柔》是2000年的一部其它片。由Aleksandr Sokurov精心打造的，电影轻柔，又名Дольче、Dolce...。dolce… 1999, 60 min, colour, Betacam SP, Stereo Studio Bereg Quest (Japan) producer: Yudji Kogure international project manager Hiroko Kodjima written by Alexander Sokurov camera: Koshiro Otsu sound: Sergei Moshkov editors: Alexei Jankowski, Sergei Ivanov Summary The film deals with real people: the well–known Japanese writer Toshio Shimao, who died in 1986, his widow and their daughter. Yet the film's documentary approach is only the framework for a penetrating biographical portrait; video is used here in an “intimate” way, to capture the inner worlds of the characters. The dramatic events of the writer's life and work make for a story which itself reveals the quintessence of the film–maker's reflections on Japan and the Japanese people. The principal narrative strand is a lyrical monologue, that of the heroine, Miho Shimao, the writer's wife. She lives on a solitary island far into the ocean, with her handicapped daughter, shunning visitors. She discovers herself through self–analysis, a form of catharsis brought on by the spiritual denudation of this existence. This proves to be the pivotal event in her life — a confined life, where actions have come to mean less than emotions. The film–maker here reveals the contours of memory, the contrasts of feelings and the nuances of the psyche in an impressionist manner. The only way to enter this world, to be able to approach its exquisite flavour and perverse pain, is to make a film akin to a lyrical piece of music, with tenderness, “dolce.” Alexandra Tuchniskaya Translated into English with assistance from Benjamin Halligan.
综合评分：
DVD电影网评分未知，暂时没有评分，请继续关注。
影迷点评：
防寒对策 说：索科洛夫有意通过声音让房子和人融为一体。手摩挲墙壁和门时的声音，脚踩在楼梯或摩擦榻榻米时的声音，还有ミホ从清晰可闻慢慢转为难以辨别的低语，这些声音通过几个特写镜头的放大构成一种统一的声响，都是为人所奏响的存在。仿佛人成为波心，声音成为涟漪一圈圈向外扩散，在始终伴随的配乐之中掺杂的海风、海浪、海鸟、骤雨、以及像是民族乐器的拨弦声（？）等都被置于这层层叠叠的波动范围之内，而整个岛屿也通过声音的联结与人的肉身融合。
pallaksch cat 说：第一次看到长宽比大于1的片，家庭相片、近景肖像与中景山水的构图使电影具有画册感，巴赫的音乐像窗外的海雾般若有似无。最喜欢的三个镜头是miho在墙角哭诉、楼梯与镜子和miho面前溅起的雨水。索导的三部日本题材纪录片一部比一部可圈可点，生活的所有沉重在使之文学化的镜头下如此忧郁而明净。
熊仔俠 说：遺孤的低語呢喃和窄幅的視覺構成了讓人淪陷的索科洛夫模式。感覺這部《印記》要比索其他的片子要難以看入狀態。
精彩剧照：
发表评论 
猜你喜欢 
其它片周榜单
影迷点评