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类型：剧情片 英国 1993
主演：莎拉·克斯托曼 简·霍洛克斯 艾伦·卡明 George Raistrick Michael Gardiner Charlotte Medcalf Loveday Smith Charlotte Storey
导演：萨姆·门德斯
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剧情简介 《歌厅》是1993年的一部剧情片。由萨姆·门德斯执导，莎拉·克斯托曼、简·霍洛克斯、艾伦·卡明等联袂主演。歌厅，又名Cabaret、酒店。In 1993, Sam Mendes directed a new production of the show for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Frau Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes' conception was a very different show from either the original production or the rather conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey, in both prior incarnations, was an asexual, malevolent character in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, wearing suspenders (i.e. braces) around his crotch and red paint on his nipples.[4] The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions.[5] The score was entirely re-orchestrated, utilizing synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and replaced with "Money". "I Don't Care Much", which was cut from the original production, was reinstated, and "Mein Herr" and "Maybe This Time", from the film adaptation, were added to the score.[5] Staging details differed as well; instead of "Tomorrow Belongs To Me" being performed by a male choir, the Emcee plays a recording of a boy soprano singing it. Most dramatic of all was in the final scene in which the Emcee removes his outer clothes to reveal a striped suit of the type worn by the internees in concentration camps on which were pinned a yellow badge (identifying a Jewish prisoner) and a pink triangle (denoting a homosexual prisoner). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys.
综合评分：
DVD电影网评分8.9，算是一部高评分电影作品，亲们，能有此分数的电影也为数不多呀，推荐大家值得观看。
影迷点评：
橙子换马甲 说：电影版里只是陪衬的男主在这里是真主角了，全方位傻逼烂人，明明演员可以很甜。。jane horrocks是没什么风情（我爱的就是她的“无性”感），但搞成这么弱小无助，我的心在滴血。。alan cumming当然是不缺风情哈哈哈，表演比电影版vulgar了许多，可能更符合故事设定，现场看估计别有风味，人设方面好像带上了一点莎剧feste那种witty fool的感觉，不像电影版就是糜烂的剧团班主。。猩猩歌好棒，好吧他的都很好听，对我来说整个戏几乎就他一个看点了。。支线比起电影里的花花公子和犹太富家女，这里搞成包租婆和犹太老头还挺straight forward的，而且犹太老头不错可以凭演员勉强算第二个看点，但爱国歌曲的出现太突兀了，觉得电影版的安排强太多。。结尾太政宣，还是比较喜欢电影版。。
LonelyLullaby 说：好多熟人啊。Alan Cumming真神了，Emcee每次出场还有几个number结束的定格都很惊艳。如果说电影版的结局是山雨欲来的话，那这版的结局就是山雨已经来了。精致利己的人，犬儒主义的人，能忍则忍的人，每人一点独白，讲述事情是怎么发展到这个地步的。Emcee依然嬉笑嘲弄地看着一切，我却怎么也没想到这次皮衣底下竟是囚服。
小陀螺 说：之前就知道这个片子牛逼，看了才知道这么牛逼。 那种夸张到诡异的气质完全吸引我，里面的政治隐喻和歌舞完美结合，处在让你看明白又不会直接捅给你的恰到好处的位置，而且歌舞也非常大胆好听，导演真的厉害，怪不得能在当年奥斯卡能打败《教父》科波拉，但是后期的名声完全不对等，可惜。
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