《低地国家的高雅艺术》是2013年的一部欧美剧。由Ian Leese执导,安德鲁·格雷厄姆-迪克森等联袂主演。低地国家的高雅艺术,又名The High Art of the Low Countries、低地国家的高品质艺术。With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
综合评分:
DVD电影网评分8.6,算是一部高评分电视剧作品,亲们,能有此分数的电视剧也为数不多呀,推荐大家值得观看。
影迷点评:
unfoldway 说:很不错的introduction。但是伦勃朗和梵高的部分太蜻蜓点水了,作者想在荷兰和比利时之间平衡篇幅,但事实上后者在艺术史的地位就是无法和荷兰相提并论。然后作者自己的主观性太强,他以什么理由断定现代荷兰人并不真正关心艺术呢?仅仅是因为他们有做生意的天分吗?短评里说北欧艺术的显然地理不及格
ガス抜き 说:荷兰比利时·手织挂毯·手抄本(扬·凡·艾克、罗希尔·范德魏登、耶罗尼米斯·博斯、彼得·勃鲁盖尔、鲁本斯)破坏圣像运动-黄金时代(小扬·勃鲁盖尔、弗兰斯·哈尔斯、伦勃朗、扬·斯特恩、彼得·德·霍赫、约翰内斯·维米尔)拿破仑入侵-工业革命(梵高、蒙德里安、雷尼·马格利特、保罗·德尔沃)
yihan1010 说:依然改不了满嘴跑火车和喜欢将艺术作品强行与政治挂钩的老毛病,好在低地国家也没有诞生过什么强权政治,所以难得见到主持人近乎献媚般地认真讨论艺术,算是他所有作品里看得最舒心的一部了,当然这很大程度上还是得益于尼德兰黄金时代那些数不胜数的艺术瑰宝的魅力。★★★★
精彩剧照:
影迷点评