《夜探毒龙潭》是1975年的一部恐怖片。由阿瑟·佩恩执导,爱德华·宾斯、珍妮弗·沃伦、吉恩·哈克曼等联袂主演。夜探毒龙潭,又名Night Moves、夜间行动。Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
综合评分:
DVD电影网评分6.7,算是一部中等的电影作品,感兴趣的朋友可以看看。
影迷点评:
Caneloni 说:大体上是60到70年代流行的那类主线破案副线character study犯罪惊悚片,视听层面很有年代感。量少但硬核的打斗和死亡场面。这部有别于(我目前看过的)同类的地方是主线事件展开方式的*混沌*:没出现任何巧合下得到的指向性明确的线索因此也没有什么传统的解谜可言,男主基本是跟着眼下最明显的信息走一步看一步且不断被各式人物迷惑性十足的言行绕进去……男主/观众到最后也不知道事件全貌如何(临结尾也让男主替观众问了两句),一般犯罪片会交代的东西也没交代(比如男主没听完的女孩电话留言)。片子重点显然是在贯穿所有人物的这种空虚无序的生存状态上,以Jennifer Warren的角色为代表,创作者个人理解的70年代美国创伤。
于清 说:影片頭一個鐘頭主角調查案件相當平淡無奇(反倒是發現老婆外遇的那條副線還比較有趣),就算導演想把重心放在主角的心路歷程也不見得有多深刻的描寫(比起同樣由金哈克曼主演的《對話》實在是遜色不少)。整體來說影片不難看,不過「70年代最具代表性的作品之一」就有點誇張了。
赱馬觀♣ 说:“看侯麦电影,好像在等油漆干了。”……这一著名的台词引用对导演阿瑟佩恩颇为不公。因为影片对于台词的讲述者,也就是哈克曼所饰演的男主人公,总体而言是持否定态度的。艾伯特伟大电影之一(有些意外);片尾疑似有像霍克斯的江湖侠侣致敬?
精彩剧照:
影迷点评