《女朋友》是1978年的一部喜剧片。由克劳迪娅·韦尔执导,克里斯托弗·格斯特、梅勒妮·梅隆、埃里·瓦拉赫等联袂主演。女朋友,又名Girlfriends。When her best friend and roommate abruptly moves out to get married, Susan (Melanie Mayron), a wannabe gallery artist slumming it as a bar mitzvah photographer on Manhattan’s Upper West Side, finds herself adrift in both life and love. Could a new job be the answer? What about a fling with a married, older rabbi (Eli Wallach)? A touchstone of American independent filmmaking tha...
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DVD电影网评分8.0,算是一部高评分电影作品,亲们,能有此分数的电影也为数不多呀,推荐大家值得观看。
影迷点评:
paradiso 说:轻盈亲切的女性独立电影,”自己租的房“是都会女性自我的一个象征(这不跟男友吵架了还能直接摔门而去不用憋气共睡)我感觉这片的风景跟80年前后的混居朋克片如硬币两面,同样是各方杂处、住所空陋事业前途未卜但就给女孩子刷洗得干干净净,内容想女生所想,精神气儿却是通的。犹太眼镜妹只有脸蛋胖身上根本不肥,生活中的两个男人分别是Eli Wallach(!)演的幽默拉比和Christopher Guest演的wierd但还挺甜的男朋友(职业始终没说,有多张信用卡说不定是富二代),已婚女友之夫则是后来Guest电影常用的秃顶小老头Bob Balaban(当时还是微秃长发大胡子知识分子状态...)
TWY 说:好看,不管友谊或爱,就说是爱吧,是一件要动用整个空间、时间和身体的东西,这在第一场戏就说明白了:苏珊的眼睛与相机拍下我们未见的室友照片,而我们所记得的影像则是她在半黑的房间里弯下腰对焦的动作;影片随后跟随主角进入了几乎可以眼花缭乱的时间跳跃中,但始终保持着轻盈的姿态,牢牢把握着能抓住的东西,任何闯入者都被接受与尊重,贫困与业余是无法将其力量所打倒的;同时对于已婚女性的刻画,她保持了敏锐的观察力——生活显然变了,但也从未陷到非黑即白的责备与刻薄中。
热可可加盐 说:Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.
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