“Fuck, again.”which toned things down, being more in keeping with societal toleration to black there. The filming method is far from the mainstream American film(at the racial vision) Use pioneering way to shoot the self-identity issues under social class disorder & race (generally cannot do without those themes)
Slamdance 5 其实视觉上有很多地方可圈可点,meditative slow cinema, some horror buildup, experimental edits juxtaposition. 但两段最长的争吵戏真的。。。台词可以更好些,现在这样play out真的很像说明文议论文(包括其他地方主角的内心独白)。Show not tell, this one is all telling with little shown,除了开头结尾连起来的eviction case,可以说是全片最大亮点——结尾这种处理(拍男主起身武装自己,你以为他真的重生了他的革命终于要来了)倒也是一种“反转”,那种anti-GetOut的,更真实更无奈更绝望的结局。
70th IFFMH Online 首映2021Slamdance。导演是个老塔粉丝,搬演了包括《镜子》《牺牲》(悬浮)《潜行者》(杯子)《乡愁》(圣母胸口飞出麻雀)等一堆名场面,也是在美国片里难得一见。不过基本上只要有除了主演之外任何另外一个演员,那表演都很尴尬(没准是导演想要的效果?)对黑人身份政治(pressure of being black)的探讨还是蛮有思辨性的。
西部点心美食
2021-12-04 14:40:54