西瓜女是虛構的,導演Cheryl Dunye倒是運用這個人物給觀眾書寫黑人女同故事,黑白糾纏的歷史悠久且關係複雜,片中可見誰都很難打入任一方的圈子,隨著記錄片主角Fae僅存線索無疾而終,女主最終也跟白人女友Diana分手。偽紀錄片中一段著墨不多的思考:電影裡放置黑人胖婦是醜化黑人族群嗎?學者說那樣的形象讓她想起自己的媽媽。結局還來一句告誡,我想同樣適用於女性:自己的歷史自己寫。(我也想租《Bald black ballbusters》這片來欣賞欣賞)
welllll i think cheryl’s credit statement, in the end, is the most brilliant reveal in the film history, 一点悲伤 一点发人深省 【第二遍看,伪纪录片的表达把同性恋和黑人的荧幕形象完全常人化,也是非常有意思的选择了】
FANTASTIC. And I thought it was a mock-narrative documentary? And it’s fiction? Fooled me. That’s the question though isn’t it, fiction is unwritten/untold/marginalized history and it’s all about finding yourself in that spectral past of queer time, identities and desires - to all the Fae Richards and Mammys
么什叫定决能不
2018-07-15 19:16:22